New studio space set-up and working I've been offline for a little while now trying to jam out some work to submit for a few new call for artist gallery competitions AND move into my new studio space. I blew a big chunk of time on a very time consuming piece that I now hate (seen tucked behind the cardboard shield).
My current major piece, Purple Flower Jellies (60x48) is giving me a little grief. Depending on the type of light cast on the thing, the color changes wildly. I need to paint it for unlit, natural lighting and then also paint it for installation in a home or gallery with lighting. I love it in the light of a Halogen IR Par30s Flood 25* 55Watt.
My current major piece, Purple Flower Jellies (60x48) is giving me a little grief. Depending on the type of light cast on the thing, the color changes wildly. I need to paint it for unlit, natural lighting and then also paint it for installation in a home or gallery with lighting. I love it in the light of a Halogen IR Par30s Flood 25* 55Watt.
My new business area and gallery shelves In bald daylight, the flowers go very blue, in the flood light, they go much warmer and glow. How on earth am I going to finish them and then, aack, how on earth am I going to have them photographed?
I've got a solid plan for a new mosaic hybrid piece and am gathering my tesserie to begin that project, as well as plans to go big on some of these smaller test panel ideas (seen on the middle shelf)...my to-do list is long and my notes are ready...
I've got a solid plan for a new mosaic hybrid piece and am gathering my tesserie to begin that project, as well as plans to go big on some of these smaller test panel ideas (seen on the middle shelf)...my to-do list is long and my notes are ready...
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